How to Craft the Perfect Essay for BFA Applications in the US

The creator economy—no longer a niche industry—is a financial powerhouse projected to double in value, skyrocketing from $250 billion in 2023 to an estimated $480 billion by 2027, according to Goldman Sachs Research. This exponential growth is fueling a new wave of employment opportunities, with job listings in the sector surging by 33 percent in Q4 of 2024 alone.

Whether visual art, creative writing, performing arts, film, photography, or music, every aspiring creative’s journey begins with earning a Bachelor of Fine Arts (BFA). If you’re hoping to pursue this degree in the US, storytelling and creativity are key. While a strong portfolio showcases your technical skills and artistic vision, the accompanying essay provides a platform to convey your personal journey, inspirations, and unique perspective. In this blog, we will delve into the significance of BFA application essays, highlight application essay prompts, and offer tips on writing them.

The Common App Essay: 

Most universities offering BFA programs use the Common App, which includes a 600-650-word personal essay. The Common App essay is your blank canvas—Paint your self-portrait with creativity, depth, and authenticity. Don’t just think outside the proverbial box; imagine a reality where the box does not exist. 

The ethos of a Common App essay is self-reflection—telling admissions officers who you are, what you value and how you’ve grown. Picking a prompt at the onset might give you the construct to frame your narrative, but it can often be restrictive. The prompts are open-ended and usually interchangeable, so write candidly and pick the prompt that best suits your storyline later. 

Prompt 1:

Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt 2: 

Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Approaching the prompts

  • Pick a grounding anchor story: Identify a defining experience, facet of your personality, or overarching interest that is essential to you—one that, if omitted, would leave your story incomplete.

Example: You always thought storytelling meant writing until you started editing short videos during a summer theatre workshop. While layering a quiet piano score beneath a monologue one night, you noticed how the emotion shifted. That moment made you realise you didn’t just want to perform stories—you tried to shape how they’re told. It’s why you’ve since explored sound, light, editing, and set design: to find the heartbeat behind every scene. 

  • Reflect on why this story is meaningful to you: A meaningful story often marks a shift in perspective or a deepened sense of purpose. Go beyond describing what happened—explain why this moment stayed with you and how it shaped your thinking or pushed you creatively and personally.

Example: The realisation of wanting to shape the way a story is told stayed with you because it redefined creativity—not as performance, but as perspective. It was the first time you felt power not just in being seen but in shaping how others see, and that realisation continues to guide your artistic choices.

  • Provide anecdotal evidence to showcase how this experience helped you grow: Use a specific follow-up moment that shows the impact of that experience—how it changed your approach, deepened your skill, or influenced a later decision or project.

Example: While editing the short film, you layered ambient noise over a silent shot and noticed how it altered the emotional tone. You realised you were no longer just experimenting but making deliberate choices to serve a story’s emotional truth.

  • Immerse the reader in your world: Incorporate vivid, sensory details—what you saw, heard, felt, or even smelled—to draw the reader into your experience and make your story more engaging and memorable.

Example: Discuss the hum of the ceiling fan, the sound of your heartbeat, and the dim glow of your desk lamp while describing your moment of realisation. 

  • Embrace your vulnerability. Being vulnerable in your writing allows the reader to connect with you deeply. Don’t shy away from discussing obstacles and how you overcame them. Doing so demonstrates resilience and determination. 

Example: Talk about how you almost gave up on that film. After three failed drafts and a mentor’s lukewarm feedback, you questioned whether you had anything meaningful to say. But instead of quitting, you returned to your original footage. That choice—to start with honesty rather than perfection—reshaped how you approach your work and self-worth.

  • Reflect on the impact of your experience: Lastly, conclude on an optimistic and enthusiastic note and tell the reader how the experience transformed you and will shape your future pursuits.

Example: This experience has shaped how you approach every project. You now create to express rather than impress—and confirm that this is the kind of storyteller you want to become.

  • You’re creative! Let that influence your writing style:

If storytelling is your strength, let the form reflect that. Instead of writing a conventional essay, consider using a structure that mirrors your artistic voice—like a script if you’re a filmmaker, a monologue if you’re a performer, or a letter to your younger self. 

Example 1: If your story is about discovering emotional depth in editing, you might present it as a scene breakdown or inner dialogue. Make sure the format adds to your narrative rather than distracts from it.

Example 2: If you’re an aspiring design student, you might use Jenga or Lego as a metaphor to visually structure the essay into three or four parts. Then, you could vividly describe how restructuring each piece symbolises a pivotal, life-changing experience that reshaped your perspective.  

Supplemental Essays: 

Most BFA programmes require supplemental or university-specific essays of 150-500/1000 words. These essays go beyond the general application and provide an opportunity for students to address focused prompts: 

Prompt 1: School of the Museum of Fine Arts at Tufts University.

Art has the power to disrupt our preconceptions, shape public discourse, and imagine new ways of being in the world. What are the ideas you’d like to explore in your work? (200-250 words)

The prompt defines art as a powerful instrument that can challenge dominant narratives and impact social, cultural and global change. It provides the lens through which you should approach your essay. Be strategic; remember, the admissions committee wants to understand what drives you as an artist at a deeper level. 

Approaching the prompt

  • Brainstorm with pointed questions: Before you begin, ask yourself a few questions. Does your art serve as a medium of self-expression, allowing you to portray yourself more authentically? If so, how will you infuse your unique perspective and voice? Do you view art as a tool for advocacy and activism? What issues do you want to illuminate, and how? Can your art evoke deep emotion and shift perspectives? What is your artistic intention?
  • Choose a powerful anchor: Start with one specific artwork or project representing your voice as an artist. This example should be rich enough to explore from multiple angles: theme, process, intention, and growth.

Example: You created a satirical series of architectural sketches that personify buildings as exaggerated, anthropomorphic characters—tall glass towers with smug expressions, colonial facades looking down on crumbling slums. The project began after a city walk during which you noticed the stark contrast between gleaming offices and the labourers who built them.

  • Explore the big idea behind your art: Now zoom out. What concept drives this piece? Go beyond the surface and reflect on what you say about society, culture, or the world.

Example: You weren’t just drawing buildings but exploring power, class, and visibility. The more you sketched, the more you realised these structures told stories about inequality, legacy, and who gets to be seen.

  • Focus on one inspiration, not all: You likely have many influences, but highlight one moment or experience that deeply informed this project. Show how that inspiration shifted your artistic perspective.

Example: The idea clicked during a conversation with a construction worker who said, “We build the skyline, but we sleep beneath it.” That sentence stayed with you—and reshaped your whole approach to the series.

  • Show your artistic intention: Demonstrate that your choices are thoughtful. Reflect on how elements like composition, style, or symbolism communicated meaning.

Example: You chose to sketch in ink and exaggerated proportions—glass towers leaning as they might tip over, foundations deliberately cracked. These weren’t technical but narrative choices meant to reflect fragility beneath confidence.

  • Be enthusiastic: Finally, show how this project opened new questions or possibilities in your practice. What excites you most about what you’re exploring next?

Example (continued): This series sparked your interest in interactive art. Now, you’re experimenting with animation to make the buildings speak—voicing the silent structures. You’re excited by how humour, critique, and design can intersect to provoke conversation.

Prompt 2: Pratt Institute, School of Art

Write about a piece of work (visual art, musical performance, piece of writing, architecture, or design) that has influenced you and describe the impact it has had on your perspective OR write about a part of your work and the impact of creating the work has had on you. (250-500 words) 

This prompt asks you to either write about an existing piece of work that has inspired you OR 

To write about your work. The most common mistake is combining both prompts. So first, start by picking one. 

Approaching the prompt

  • Writing about an existing piece of work: Begin by identifying and describing the piece of work in vivid detail. Describe why this piece inspired you and analyse the artist’s technique, intention, and impact. Outline how this piece has influenced you and impacted your art/art-making process—ideation, conceptualisation, and experimentation with techniques. Conclude by discussing how it has evolved your perception of art and your role as an artist. 

Example: “The first time I saw Jean-Michel Basquiat’s Untitled (1981), I was drawn in by the chaos—bold strokes, scribbled words, clashing colours. At first glance, it looked messy. But the longer I looked, the more it made sense: rage, identity, history—layered and urgent. Basquiat’s raw, unfiltered energy changed how I approached my own art. I used to obsess over neatness and precision. His work showed me that emotion and intent matter more than polish. His use of text, repetition, and symbolism pushed me to think beyond aesthetics—to ask what my work says, not just how it looks.

Since then, I’ve experimented with freer linework, found materials, and more personal themes. Creating no longer feels like performing; it feels like revealing. Basquiat didn’t just influence my technique—he changed how I see art: as resistance, reflection, and selfhood.” 

  • Writing about your work: Describe your piece in significant detail. If it’s a work in progress, document your iterative process and conceptual ideation. Justify your artistic choices—why this medium, style, or colour scheme? What techniques did you explore before settling on one? If inspired by an artist or artwork, how did you adapt their methods, and why? Reflect on the process. Did it shift your perspective? Was it transformative? Did it reveal something new about yourself? Has it changed how you perceive or approach art? If so, explain how and why.

Example: My recent mixed-media piece, “Second Skin,” began as exploring identity—how we present ourselves versus what we conceal. I started by photographing my face from different angles and then printing and tearing the images. Layering them with gauze, thread, and translucent paint, I created a fragmented portrait that felt familiar and obscured. I chose mixed media deliberately. Photography alone felt too fixed, so I disrupted it. The gauze symbolised fragility and healing, while the thread became a metaphor for holding oneself together. I initially worked with charcoal and pencil, but the outcome felt too composed—too safe. I was seeking texture, tension, and vulnerability.

While I drew inspiration from Jenny Saville’s treatment of the human form and Tracey Emin’s raw honesty, I didn’t aim to replicate their work. Instead, I adapted their emotional intensity into my visual language—working with layering, erasure, and repair. This process reshaped how I view my practice. I once prioritised neatness and balance; now, I value ambiguity and emotional resonance. Creating “Second Skin” taught me that art doesn’t need to resolve or explain—it simply needs to feel honest.

Artist Statement: 

Some schools may require an artist statement or a statement of purpose where you discuss your creative process or artistic philosophy, past experiences with art, design or writing, what you hope to gain from the programme and how you’ll contribute to the university. Here are some examples:

Prompt 1: School of the Art Institute of Chicago.

Writing is a vital component of being an artist and an extremely important part of being a student at SAIC. Tell us about you, your art-making practices, and why you are a strong candidate for the School of the Art Institute of Chicago’s (SAIC) undergraduate program. Include information about what inspires you and what your artistic process looks like. Share why you are interested in and utilize certain materials, exhibitions in which you have participated, or other activities that contribute to the making of your work.

Prompt 2: California Institute of the Arts

An artist statement is very important in the admissions process and should answer the following three questions: What are your artistic interests/goals? What informs your art-making practice? (Ideas, research, ways of making, and so on.) Why are you applying to your program at CalArts? It is recommended that your statement be between 500 and 1000 words.

Prompt 3: School of Visual Arts 

In 500 words or less, discuss your reasons for pursuing undergraduate study in the visual arts. Feel free to include any information about yourself, as well as your goals and interests that may not be immediately apparent from the review of your transcripts or portfolio.

Approaching the prompts 

While colleges may frame the prompt differently, the essence of an artist’s statement remains unchanged. You can repurpose your statement across applications but tailor it to address each school’s question.

  • Articulate your core themes and concepts: Discuss the ideas or questions that shape your creative work. This helps frame your artistic voice and what drives your practice.

Example: If your artwork often revolves around memory and loss, your statement might begin by identifying that emotional core. For instance, you may be drawn to objects and images that evoke a sense of impermanence. Over time, you realise that your work isn’t just about personal history but about how people hold onto the past in physical, symbolic, or ephemeral ways. By articulating this, you’re helping the reader understand your work, why you’ve selected certain subjects, and what questions you’re trying to answer through your art. 

  • Introduce your preferred medium and stylistic approach: Mention your chosen medium, visual language or style, and describe how you’ve refined these through learning and experimentation.

Example: To convey themes of memory and loss, you may choose mixed media—layering old photographs with translucent fabrics or stitching them into paper to create texture. You might have started by drawing, but over time, you discovered that combining materials like thread and archival prints allowed you to express fragility more effectively. Through workshops or trial-and-error, you refined this method to better align with the emotional tone of your work.

  • Root your work in time, space, and sensory detail: Describe your art using vivid, tangible language so it can be imagined without visual access. Sensory context adds emotional depth.

Example: If one piece features a faded family photo stitched onto yellowing parchment, with threads unravelling at the edges, describe it dramatically. For instance, the fabric carries the faint scent of camphor, and the torn paper crackles softly when touched. The muted colour palette—sepia, ivory, and dusty rose—evokes an atmosphere of quiet decay. These sensory choices immerse the viewer in an intimate and transient space, reinforcing your work’s themes of memory and impermanence.

  • Connect your personal experiences to your artistic themes: Show how your background, identity or lived experiences influence your stories and how you tell them.

Example: Talk about how your interest in memory and impermanence stems from your grandmother’s passing and the objects she left behind—a sewing kit, handwritten recipes, and old saris. These everyday items became symbols of loss and continuity, sparking your exploration of how we preserve identity through the material. As you sifted through her belongings, your artistic focus shifted from simple nostalgia to a deeper reflection on heritage, absence, and the emotional weight of things left behind.

  • Identify key artistic, cultural, or historical influences: Discuss specific influences that have informed your process and how you’ve interpreted or transformed their ideas in your work.

Example: While processing your grandmother’s belongings, talk about how you were drawn to the quiet, layered works of Zarina Hashmi and the tactile intimacy of Tracey Emin. Hashmi’s use of paper and maps resonated with your feelings of rootlessness, while Emin’s embroidered text inspired you to integrate handwritten fragments from your grandmother’s letters into your compositions. Rather than replicate their styles, you interpreted their approaches—using material, memory, and mark-making to explore personal history within a broader cultural context.

  • Demonstrate growth through experimentation and risk: Highlight moments where creative challenges or new materials reshaped your approach. Show how you’ve grown through trial and reflection.

Example: While working on a series about inherited memory, discuss how you initially relied on digital scans of letters and textiles. But something felt too polished and distant. So you began tearing, staining, and hand-stitching into the paper—risking damage to evoke deterioration intentionally. Some experiments failed: ink bled too much, or fabric overwhelmed the composition. But in taking those risks, you found an emotionally honest rawness. This process taught you to embrace imperfection, allowing your materials to echo the fragility of the memories they represent.

  • Share your aspirations and programme fit: Explain how the programme aligns with your future goals. Mention faculty, courses or resources supporting your next steps as an artist.

Example: Having discovered the emotional power of materiality and imperfection, you’re eager to expand your practice through installation and sound. The interdisciplinary focus at a specific university—particularly courses in integrated media and mentorship from faculty who explore memory through experimental forms—resonates deeply with your evolving interests. You’re drawn to the school’s emphasis on conceptual development and critique, which you believe will push your work beyond the personal, helping you situate it within larger cultural and political conversations. This programme feels like the right space to deepen your voice, take creative risks, and explore how vulnerability can be transformed into connection. 

Portfolio-Related Essays:

While your portfolio is often the centrepiece of your BFA application, many schools want to understand the story behind your work. You may be asked to provide a written explanation or a video essay describing specific pieces within your portfolio or through supplemental prompts. These prompts allow you to discuss your creative process, artistic influences, and the meaning behind your work. 

Prompt 1 – (Video Essay) Carnegie Mellon University

Create a video that shows and tells us something about who you are and what you care about, i.e., your passions, interests outside of school, a meaningful experience, or other. And, tell us what excites you about potentially studying at the School of Design. You may use any device, from your phone to your webcam, with no need for fancy editing. Video should be 90 seconds or less. 

Approaching the prompt 

  • Identify your core story: Pick one compelling experience, value, or creative process that captures your identity. This will act as the foundation of your video.

Example: You’ve always been fascinated by sound as a storytelling tool. One summer, you created a short animation based on ambient audio collected during your walks—crunching leaves, humming streetlamps, and distant conversations. This experiment helped you realise that you see the world through layers of sound and silence and that your design process always begins with what you hear, not what you see. Starting your video by telling this story—maybe even with snippets of that audio—sets a personal, sensory tone and establishes the creative lens through which you approach art and design.

  • Hook your viewer immediately: Start with a striking visual, meaningful anecdote, or behind-the-scenes glimpse that invites curiosity and emotion from the first second.

Example: Open your video with a black screen and the subtle crackle of footsteps on dry leaves, followed by the distant hum of a passing tram. Fade into a close-up of your editing software, where layered sound waves ripple across the screen. As these textures unfold, your voice begins: “Before I see a story, I hear it.” This sensory opening draws the viewer in instantly and sets the tone for a creative, immersive narrative.

  • Show, don’t just tell: Rather than listing your interests, visually demonstrate them. Include footage of you creating, exploring, researching, performing—whatever fuels your artistic life.

Example: As you describe your fascination with sound, cut to clips of your creative process—placing a recorder on a window sill, crouching near a fountain to catch subtle echoes, layering audio clips on your laptop, sketching a storyboard based on rhythm rather than visuals. Let the viewer watch you in motion, showing how sound shapes your decisions as a designer. This transforms your passion from an abstract idea to a lived, observable practice—making your story more powerful and memorable.

  • Use creative visuals with purposeful narration: Consider a voiceover layered over clips of your sketchbook, installation process, or personal environment. Let your visuals and narration work together to tell your story.

Example: As the screen shows your field recordings playing on a timeline, the voiceover picks up: “When I walk, I listen. Each sound becomes a character—footsteps pacing urgency, the wind carrying memory.” Cut to your sketchbook filled with notes and waveform-inspired doodles, then a time-lapse of you editing animation frames to sync with sound. The narration doesn’t repeat what’s on-screen—it adds emotional and conceptual depth, creating a richer, more immersive story.

  • Tie your story to Carnegie Mellon University: Clearly articulate why the design aligns with your goals. Mention specific elements of the program that excite you—its philosophy, courses, or faculty.

Example: As your voiceover continues, the screen shifts to a montage of your desk filled with work-in-progress projects. You say: “Carnegie Mellon University’s emphasis on systems thinking and interdisciplinary collaboration resonates with how I approach design—from sound to story, everything connects.” Overlay visuals of CMU’s design labs or clips from student projects (if publicly available) while you mention specific aspects that excite you—like the Sound Design elective, the open-ended studio structure, or CMU’s focus on human-centred innovation. This connects your creative identity to the school’s ethos, showing that your interest in CMU is intentional and deeply aligned with your practice.

  • Keep it natural and authentic: You don’t need complex editing. Speak with energy and clarity as if you’re having a conversation. Focus on sincerity over polish.

Example: After showcasing and tying your process to the university, the video cuts back to you speaking directly to the camera in your creative space—books stacked in the background, a sketch pinned to the wall. You smile and say: “I know I’ll arrive with more questions than answers—but that’s why I want to be there. I’m excited to grow, collaborate, and keep listening.” The lighting is soft. The tone is genuine. You’re not performing—you’re being yourself. That sense of realness is what admissions officers remember.

  • Prioritise sound and lighting: Ensure your voice is easy to hear and your face (if featured) is well-lit. Technical clarity ensures your message shines through.

Example: As you speak to the camera in your creative space, the ambient sounds fade gently, and your voice comes through clearly—no background noise, no echoes. A warm desk lamp lights your face evenly, with no harsh shadows. These small but thoughtful choices don’t distract from your story—they support it. Clean audio and natural lighting keep the focus on you, your message, and your work, showing that you care about the viewer’s experience as much as your expression.

Prompt 2: University of California, San Diego 

Please submit a one-minute video OR a written statement of no more than 350 words answering the following prompt: “What sparks your passion and curiosity about this artistic field?” We want to know about your genuine interest in Theatre & Dance. 

Approaching the prompt:

  • What sparked your journey: Reflect on the moment or experience that ignited your love for theatre or dance. This sets the emotional tone for your response.

Example: Your journey into theatre began when you were nine, cast as a tree in a school play. At first, you were disappointed—not a lead, no lines. But something clicked while standing still onstage, listening to the rhythm of dialogue and watching how lighting shifted moods. You realised performance wasn’t just about speaking—it was about presence, energy, and connection. That quiet role sparked a fascination with the language of the body and the unspoken power of performance. It was the moment you understood theatre as a collective, transformative experience—and you’ve been chasing that feeling ever since.

  • What fuels your curiosity: Reveal the areas of the field that fascinate you most—performance, movement, direction, or theory—and why you’re drawn to them.

Example: Your early experience with theatre taught you to pay attention to the subtleties of stillness and space. Over time, this grew into a deep interest in movement and physical storytelling. You’re fascinated by how gestures can hold more weight than monologues and how blocking and choreography shape narrative and emotion. You now find yourself watching performances with a choreographer’s eye—curious about intention, tension, and flow. This curiosity drives you to explore how we move, why we move the way we do, and how movement can become a form of emotional truth-telling.

  • How you engage as an artist: Describe your current role or evolving identity within theatre or dance. What kind of work do you create, and how do you approach your craft?

Example: Now, you gravitate toward roles and projects where movement carries the emotional weight of the scene. In school productions, you’ve often volunteered to choreograph transitional scenes or design movement pieces that fill silent moments with intention. Your process is intuitive—you explore how posture, breath, and tension can tell a story before any words are spoken. You’re becoming an artist who blurs the line between actor and mover, believing the body can hold a narrative as powerfully as a script.

  • Why the University of California, San Diego: Connect your passion to the specifics of UC San Diego’s programme—mention faculty, philosophy, or opportunities that excite you and align with your goals

Example: UC San Diego’s emphasis on devised theatre and interdisciplinary exploration profoundly resonates with your movement-driven approach. You’re incredibly excited about courses in movement analysis and the opportunity to work within an ensemble that values physical storytelling. The program’s commitment to experimentation and technique is the ideal space to push your creative boundaries. You’re eager to learn from faculty who approach performance as both research and expression and to collaborate with peers who are as invested in the body as a storytelling tool as your identity.

Tips for the one-minute video essay

  • Show, don’t just tell: Shoot the video in a setting that reflects your artistic journey (a studio, stage, or rehearsal space).
  • Be expressive: Speak naturally and let your energy shine.
  • Keep it dynamic: Quick cuts, clips of performances, or movement visuals can enhance engagement.

Tips for the 350-word written essay

  • Start with a vivid hook – A personal anecdote or defining moment.
  • Be specific – Use concrete examples of how theatre/dance has shaped you.
  • Make it flow – Keep your writing natural and reflective of your voice.

So, now that you have a comprehensive idea of what application essays to write for BFA applications in the US, you may begin with The Red Pen INK (Interactive Narrative Kit), India’s first ethical AI tool to help kickstart your essays. But if you need the tailored guidance of our essay specialists, please get in touch. Meanwhile, read our blog: Pursuing a Bachelor of Fine Arts in the US: Everything You Need to Know. 

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